Play Along Piano

Tags

Baroque

Fake Your Death

0:32	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	10	4	5	100%
		13	1	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	10	4	5	100%
		13	1	1	4	100%

Passacaglia. JS Bach. Piano Duet

Cepheus Elf

0:48	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	5	77%
	17	9	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	5	77%
	17	9	2	3	100%
	17	1	3	7	100%
	14	0	2	7	76%

Lamento della ninfa - Monteverdi

Raphaël Batôt

3:27	Est. Play Time
138	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpe	19	9	4	3	100%
	5	0	0	1	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpe	19	9	4	3	100%
	5	0	0	1	100%
Soprano	12	0	2	3	80%
Ténor	9	0	2	3	27%
	7	0	0	3	33%
Basse	9	0	0	3	31%

Elisabeth Jacquet de la Guerre Sarabande

pental

1:36	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	8	5	6	96%
		20	3	5	6	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	8	5	6	96%
		20	3	5	6	98%

Gedenke doch, mein Geist, zurücke (Aria) BWV 509

Bartók forever

0:51	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	8	3	4	100%
	18	0	4	2	100%
Sopran	16	0	5	4	71%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	8	3	4	100%
	18	0	4	2	100%
Sopran	16	0	5	4	71%

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
Cello	17	0	3	5	95%
Juno	15	0	4	9	84%
Vln 1	20	0	4	5	80%
Violas	19	0	4	5	74%
Vln 2	21	0	6	3	70%
Celli	17	0	3	3	66%
Kontrebaß	17	0	3	3	66%

Schütz: Selig sind die Toten (WIP)

AymericHM

5:04	Est. Play Time
218	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	17	3	7	85%
		16	10	3	8	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	17	3	7	85%
		16	10	3	8	92%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

Elisabeth Jacquet de la Guerre 2e Courante

pental

1:30	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	7	4	6	100%
		23	0	4	5	80%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	7	4	6	100%
		23	0	4	5	80%

14 Canons (Arranged for String Quartet and Orchestra)

Arianna2001

6:01	Est. Play Time
139	Measures
	1,824Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	13	3	5	90%
	23	7	2	4	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	13	3	5	90%
	23	7	2	4	96%
	17	8	0	2	95%
Violoncello (Solo Cello - Quartet)	17	0	2	4	88%
Viola (Solo Viola - Quartet)	18	0	3	5	78%
Violin I (Solo 1st Violin - Quartet)	24	0	7	7	71%
Violin II (Solo 2nd Violin - Quartet)	23	0	6	6	59%
Contrabass	17	0	2	4	45%

HWV63A1N2 - "Mourn, ye afflicted children" in c minor

edward.maurath

5:08	Est. Play Time
47	Measures
	1,196Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	7	6	5	94%
	25	11	8	7	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	7	6	5	94%
	25	11	8	7	100%
Contrabasses	22	0	8	7	100%
Violas	21	0	7	6	100%
Violoncellos	25	0	8	7	100%
Vln 1	25	0	9	6	100%
Vln 2	27	0	10	6	100%
Alto	15	0	5	4	87%
Tenor	15	0	5	4	87%
Bass	22	0	11	4	85%
Soprano	19	0	9	5	85%
Oboe	19	0	7	6	74%
	19	0	7	6	74%
Bassoon	23	0	8	5	74%

While My Guitar Gently Weeps Baroque Style

Carlos M. R. Coelho

3:00	Est. Play Time
92	Measures
	1,395Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cravo	24	19	5	9	98%
	19	10	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cravo	24	19	5	9	98%
	19	10	4	2	100%
Violoncelo	21	5	5	7	100%
Violino	24	8	5	5	82%
	22	3	6	8	88%
Fagote	17	0	2	5	75%
Oboé	12	0	1	7	64%
	11	0	1	5	49%

HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	20	4	5	100%
	16	7	2	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	20	4	5	100%
	16	7	2	6	100%
Violin 1	10	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Silvio	11	0	2	6	77%
Contrabasses	14	0	2	4	69%
Violoncellos	14	0	2	4	69%

J. Besozzi Sonata for Basson (PIANO SIMPLIFIED)

manuelnietopi1

2:42	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	20	25	4	5	98%
	18	7	4	5	95%
mini-Basson	15	0	3	5	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	20	25	4	5	98%
	18	7	4	5	95%
mini-Basson	15	0	3	5	100%

Piano concerto no 3

Nicolasmin02

2:04	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	30	2	4	100%
	24	33	2	5	89%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	30	2	4	100%
	24	33	2	5	89%
	17	9	1	4	100%
	20	15	2	4	89%

"Presti omai l'Egizia terra" From HWV 17

edward.maurath

2:46	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	16	10	2	4	100%
	17	10	2	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	16	10	2	4	100%
	17	10	2	4	100%
Cello Continuo	17	0	2	4	100%
Contrabasses	17	0	2	4	100%
Violoncellos Continuo	17	0	2	4	100%
Violins 1	18	0	1	5	98%
Violins 2	19	0	2	5	98%
Violas	13	0	1	4	81%
Cesare	13	0	2	7	74%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
Violini Tutti	21	0	5	7	76%
Cleopatra	15	0	4	6	62%
Violoncello Continuo	18	0	4	5	61%
Oboe	12	0	1	7	59%
Contrabassi Continuo	17	0	2	5	51%
Violoncelli Continuo	17	0	2	5	51%
Bassoon Continuo	15	0	0	5	44%
Viole	10	0	0	5	34%
Bassoon Viola	10	0	0	5	16%